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Roald Dahl

Dahl in 1954

Born(1916-09-13)13 September 1916
Llandaff, Cardiff, Wales
Died23 November 1990(1990-11-23) (aged 74)
Oxford, England, UK
OccupationNovelist, poet, screenwriter
Period1942–1990
GenreChildren's, adults' literature, horror, mystery, fantasy
SpousePatricia Neal
(m. 1953; div. 1983)
Felicity Ann d'Abreu Crosland
(m. 1983)
Children5, including Tessa, Ophelia, and Lucy Dahl
RelativesNicholas Logsdail(nephew)
Sophie Dahl(granddaughter)
Phoebe Dahl(granddaughter)
Military career
Allegiance United Kingdom
Service/branchBritish Army (August–November 1939)
 Royal Air Force (November 1939 – August 1946)
Years of service1939–1946
RankSquadron leader
Battles/warsWorld War II
Website
roalddahl.com

Roald Dahl (English:,[1]Norwegian: [ˈruːɑl ˈdɑːl]; 13 September 1916 – 23 November 1990) was a British novelist, short story writer, poet, screenwriter, and fighter pilot.[2] His books have sold more than 250 million copies worldwide.[3]

Born in Wales to Norwegian immigrant parents, Dahl served in the Royal Air Force during the Second World War. He became a flying ace and intelligence officer, rising to the rank of acting wing commander. He rose to prominence as a writer in the 1940s with works for both children and adults, and he became one of the world's best-selling authors.[4][5] He has been referred to as "one of the greatest storytellers for children of the 20th century".[6] His awards for contribution to literature include the 1983 World Fantasy Award for Life Achievement, and the British Book Awards' Children's Author of the Year in 1990. In 2008, The Times placed Dahl 16th on its list of "The 50 greatest British writers since 1945".[7]

Dahl's short stories are known for their unexpected endings, and his children's books for their unsentimental, macabre, often darkly comic mood, featuring villainous adult enemies of the child characters.[8][9] His books champion the kindhearted, and feature an underlying warm sentiment.[10][11] Dahl's works for children include James and the Giant Peach, Charlie and the Chocolate Factory, Matilda, The Witches, Fantastic Mr Fox, The BFG, The Twits and George's Marvellous Medicine. His adult works include Tales of the Unexpected.

Early life

Childhood

Roald Dahl was born in 1916 at Villa Marie, Fairwater Road, in Llandaff, Cardiff, Wales, to Norwegian parents, Harald Dahl and Sofie Magdalene Dahl (née Hesselberg).[12] Dahl's father had emigrated to the UK from Sarpsborg in Norway, and settled in Cardiff in the 1880s. His mother came over and married his father in 1911. Dahl was named after the Norwegian polar explorerRoald Amundsen. His first language was Norwegian, which he spoke at home with his parents and his sisters Astri, Alfhild and Else. Dahl and his sisters were raised in the Lutheran faith, and were baptised at the Norwegian Church, Cardiff, where their parents worshipped.[13].

In 1920, when Dahl was three years old, his seven-year-old sister, Astri, died from appendicitis. Weeks later, his father died of pneumonia at the age of 57.[15] With the option of returning to Norway to live with relatives, Dahl's mother decided to remain in Wales. Her husband Harald had wanted their children to be educated in British schools, which he considered the world's best.[16]

Dahl first attended the Cathedral School, Llandaff. At the age of eight, he and four of his friends (one named Thwaites) were caned by the headmaster after putting a dead mouse in a jar of gobstoppers at the local sweet shop,[6] which was owned by a "mean and loathsome" old woman called Mrs Pratchett.[6] The five boys had named their trick as the "Great Mouse Plot of 1924".[17] Gobstoppers were a favourite sweet among British schoolboys between the two World Wars, and Dahl would later refer to them in his creation, Everlasting Gobstopper which was featured in Charlie and the Chocolate Factory.[18]

Dahl transferred to a boarding school in England: St Peter's in Weston-super-Mare. His parents had wanted him to be educated at an English public school and, because of the regular ferry link across the Bristol Channel, this proved to be the nearest. Dahl's time at St Peter's was unpleasant; he was very homesick and wrote to his mother every week but never revealed his unhappiness to her. After her death in 1967, he learned that she had saved every one of his letters, in small bundles held together with green tape.[19] In 2016, to mark the centenary of Dahl's birth, his letters to his mother were abridged and broadcast as BBC Radio 4's Book of the Week.[20] Dahl wrote about his time at St Peter's in his autobiography Boy: Tales of Childhood.[21].

Repton School

From 1929, when he was 13, Dahl attended Repton School in Derbyshire. Dahl disliked the hazing and described an environment of ritual cruelty and status domination, with younger boys having to act as personal servants for older boys, frequently subject to terrible beatings. His biographer Donald Sturrock described these violent experiences in Dahl's early life.[22] Dahl expresses some of these darker experiences in his writings, which is also marked by his hatred of cruelty and corporal punishment.[23] According to Boy: Tales of Childhood, a friend named Michael was viciously caned by headmaster Geoffrey Fisher. The master was later selected as the Archbishop of Canterbury and crownedQueen Elizabeth II in 1953. (However, according to Dahl's biographer Jeremy Treglown,[24] the caning took place in May 1933, a year after Fisher had left Repton; the headmaster was in fact J. T. Christie, Fisher's successor.) Dahl said the incident caused him to "have doubts about religion and even about God".[25] He was never seen as a particularly talented writer in his school years, with one of his English teachers writing in his school report "I have never met anybody who so persistently writes words meaning the exact opposite of what is intended."[26]

Dahl was exceptionally tall, reaching 6 feet 6 inches (1.98 m) in adult life.[27] He played a number of sports including cricket, football and golf, and was made captain of the squash team.[28] As well as having a passion for literature, he developed an interest in photography and often carried a camera with him.[15]

During his years at Repton, the Cadbury chocolate company would occasionally send boxes of new chocolates to the school to be tested by the pupils.[29] Dahl would dream of inventing a new chocolate bar that would win the praise of Mr Cadbury himself; this inspired him in writing his third children's book, Charlie and the Chocolate Factory (1964), and to refer to chocolate in other children's books.[30]

Throughout his childhood and adolescent years, Dahl spent the majority of his summer holidays with his mother's family in Norway. He wrote about many happy memories from those visits in Boy: Tales of Childhood, such as when he replaced the tobacco in his half–sister's fiancé's pipe with goat droppings.[31] He noted only one unhappy memory of his holidays in Norway: at around the age of eight, he had to have his adenoids removed by a doctor.[32] His childhood and first job selling kerosene in Midsomer Norton and surrounding villages in Somerset are subjects in Boy: Tales of Childhood.[33]

After school

After finishing his schooling, in August 1934 Dahl crossed the Atlantic on the RMS Nova Scotia and hiked through Newfoundland with the Public Schools Exploring Society.[34][35]

In July 1934, Dahl joined the Shell Petroleum Company. Following two years of training in the United Kingdom, he was assigned first to Mombasa, Kenya, then to Dar-es-Salaam, Tanganyika (now Tanzania). Along with the only two other Shell employees in the entire territory, he lived in luxury in the Shell House outside Dar es Salaam, with a cook and personal servants. While out on assignments supplying oil to customers across Tanganyika, he encountered black mambas and lions, among other wildlife.[25]

Fighter ace

In August 1939, as the Second World War loomed, the British made plans to round up the hundreds of Germans living in Dar-es-Salaam. Dahl was commissioned as a lieutenant into the King's African Rifles, commanding a platoon of Askari men, indigenous troops who were serving in the colonial army.[36]

In November 1939, Dahl joined the Royal Air Force as an aircraftman with service number 774022.[37] After a 600-mile (970 km) car journey from Dar es Salaam to Nairobi, he was accepted for flight training with sixteen other men; only three others of these survived the war. With seven hours and 40 minutes experience in a De Havilland Tiger Moth, he flew solo;[38] Dahl enjoyed watching the wildlife of Kenya during his flights. He continued to advanced flying training in Iraq, at RAF Habbaniya, 50 miles (80 km) west of Baghdad. Following six months' training on Hawker Harts, Dahl was commissioned as a pilot officer on 24 August 1940, and was judged ready to join a squadron and face the enemy.[37][39]

He was assigned to No. 80 Squadron RAF, flying obsolete Gloster Gladiators, the last biplanefighter aircraft used by the RAF. Dahl was surprised to find that he would not receive any specialised training in aerial combat, or in flying Gladiators. On 19 September 1940, Dahl was ordered to fly his Gladiator by stages from Abu Sueir (near Ismailia, in Egypt) to 80 Squadron's forward airstrip 30 miles (48 km) south of Mersa Matruh. On the final leg he could not find the airstrip and, running low on fuel and with night approaching, he was forced to attempt a landing in the desert.[40] The undercarriage hit a boulder and the aircraft crashed. Dahl's skull was fractured and his nose was smashed; he was temporarily blinded.[41] He managed to drag himself away from the blazing wreckage and passed out. He wrote about the crash in his first published work.[41]

Dahl was rescued and taken to a first-aid post in Mersa Matruh, where he regained consciousness, but not his sight. He was transported by train to the Royal Navy hospital in Alexandria. There he fell in and out of love with a nurse, Mary Welland. A RAF inquiry into the crash revealed that the location to which he had been told to fly was completely wrong, and he had mistakenly been sent instead to the no man's land between the Allied and Italian forces.[42]

In February 1941, Dahl was discharged from hospital and passed fully fit for flying duties. By this time, 80 Squadron had been transferred to the Greek campaign and based at Eleusina, near Athens. The squadron was now equipped with Hawker Hurricanes. Dahl flew a replacement Hurricane across the Mediterranean Sea in April 1941, after seven hours' experience flying Hurricanes. By this stage in the Greek campaign, the RAF had only 18 combat aircraft in Greece: 14 Hurricanes and four Bristol Blenheim light bombers. Dahl flew in his first aerial combat on 15 April 1941, while flying alone over the city of Chalcis. He attacked six Junkers Ju-88s that were bombing ships and shot one down. On 16 April in another air battle, he shot down another Ju-88.[43]

On 20 April 1941, Dahl took part in the "Battle of Athens", alongside the highest-scoring British Commonwealth ace of World War II, Pat Pattle, and Dahl's friend David Coke. Of 12 Hurricanes involved, five were shot down and four of their pilots killed, including Pattle. Greek observers on the ground counted 22 German aircraft downed, but because of the confusion of the aerial engagement, none of the pilots knew which aircraft they had shot down. Dahl described it as "an endless blur of enemy fighters whizzing towards me from every side".[44][45]

In May, as the Germans were pressing on Athens, Dahl was evacuated to Egypt. His squadron was reassembled in Haifa. From there, Dahl flew sorties every day for a period of four weeks, shooting down a Vichy French Air ForcePotez 63 on 8 June and another Ju-88 on 15 June, but he began to get severe headaches that caused him to black out. He was invalided home to Britain. Though at this time Dahl was only a pilot officer on probation, in September 1941 he was simultaneously confirmed as a pilot officer and promoted to war substantive flying officer.[46]

Diplomat, writer and intelligence officer

After being invalided home, Dahl was posted to an RAF training camp in Uxbridge. He attempted to recover his health enough to become an instructor.[47] In late March 1942, while in London, he met the Under-Secretary of State for Air, Major Harold Balfour (later Lord Balfour), at his club. Impressed by Dahl's war record and conversational abilities, Balfour appointed the young man as assistant air attaché at the British Embassy in Washington, D.C. Initially resistant, Dahl was finally persuaded by Balfour to accept, and took passage on the SS Batori from Glasgow a few days later. He arrived in Halifax, Canada, on 14 April, after which he took a sleeper train to Montreal.[48]

Coming from war-starved Britain, Dahl was amazed by the wealth of food and amenities to be had in North America.[49] Arriving in Washington a week later, Dahl found he liked the atmosphere of the U.S. capital. He shared a house with another attaché at 1610 34th Street, NW, in Georgetown. But after ten days in his new posting, Dahl strongly disliked it, feeling he had taken on "a most ungodly unimportant job."[50] He later explained, "I'd just come from the war. People were getting killed. I had been flying around, seeing horrible things. Now, almost instantly, I found myself in the middle of a pre-war cocktail party in America."[51]

Dahl was unimpressed by his office in the British Air Mission, attached to the embassy. He was also unimpressed by the ambassador, Lord Halifax, with whom he sometimes played tennis and whom he described as "a courtly English gentleman." Dahl socialized with Charles E. Marsh, a Texas publisher and oilman, at his house at 2136 R Street, NW, and the Marsh country estate in Virginia.[42][52] As part of his duties as assistant air attaché, Dahl was to help neutralise the isolationist views still held by many Americans by giving pro-British speeches and discussing his war service; the United States had entered the war only the previous December, following the attack on Pearl Harbor.[53]

At this time Dahl met the noted British novelist C. S. Forester, who was also working to aid the British war effort. Forester worked for the British Ministry of Information and was writing propaganda for the Allied cause, mainly for American consumption.[54]The Saturday Evening Post had asked Forester to write a story based on Dahl's flying experiences; Forester asked Dahl to write down some RAF anecdotes so that he could shape them into a story. After Forester read what Dahl had given him, he decided to publish the story exactly as Dahl had written it.[55] He originally titled the article as "A Piece of Cake" but the magazine changed it to "Shot Down Over Libya" to make it sound more dramatic, although Dahl had not been shot down; it was published in the 1 August 1942 issue of the Post. Dahl was promoted to flight lieutenant (war-substantive) in August 1942.[56] Later he worked with such other well-known British officers as Ian Fleming (who later published the popular James Bond series) and David Ogilvy, promoting Britain's interests and message in the U.S. and combating the "America First" movement.[53]

This work introduced Dahl to espionage and the activities of the Canadian spymaster William Stephenson, known by the codename "Intrepid".[57] During the war, Dahl supplied intelligence from Washington to Prime Minister Winston Churchill. As Dahl later said: "My job was to try to help Winston to get on with FDR, and tell Winston what was in the old boy's mind."[55] Dahl also supplied intelligence to Stephenson and his organisation, known as British Security Coordination, which was part of MI6.[52] Dahl was once sent back to Britain by British Embassy officials, supposedly for misconduct – "I got booted out by the big boys," he said. Stephenson promptly sent him back to Washington—with a promotion to wing commander rank.[58] Toward the end of the war, Dahl wrote some of the history of the secret organisation; he and Stephenson remained friends for decades after the war.[59]

Upon the war's conclusion, Dahl held the rank of a temporary wing commander (substantive flight lieutenant). Owing to the severity of his injuries from the 1940 accident, he was pronounced unfit for further service and was invalided out of the RAF in August 1946. He left the service with the substantive rank of squadron leader.[60] His record of five aerial victories, qualifying him as a flying ace, has been confirmed by post-war research and cross-referenced in Axis records. It is most likely that he scored more than those victories during 20 April 1941, when 22 German aircraft were shot down.[61]

Post-war life

Dahl married American actress Patricia Neal on 2 July 1953 at Trinity Church in New York City. Their marriage lasted for 30 years and they had five children:

On 5 December 1960, four-month-old Theo Dahl was severely injured when his baby carriage was struck by a taxicab in New York City. For a time, he suffered from hydrocephalus. As a result, his father became involved in the development of what became known as the "Wade-Dahl-Till" (or WDT) valve, a device to alleviate the condition.[64][65] The valve was a collaboration between Dahl, hydraulic engineer Stanley Wade, and London's Great Ormond Street Hospital neurosurgeon Kenneth Till, and was used successfully on almost 3,000 children around the world.[66]

In November 1962, daughter Olivia died of measles encephalitis at age seven. Her death left Dahl "limp with despair", and feeling guilty about not having been able to do anything for her.[66] Dahl subsequently became a proponent of immunisation and dedicated his 1982 book The BFG to his daughter.[67][68] After Olivia's death and a meeting with a Church official, Dahl came to view Christianity as a sham.[69] While mourning her loss, he had sought spiritual guidance from Geoffrey Fisher, the former Archbishop of Canterbury. He was dismayed by Fisher telling him that, although Olivia was in Paradise, her beloved dog Rowley would never join her there.[69]

Dahl recalled years later:

I wanted to ask him how he could be so absolutely sure that other creatures did not get the same special treatment as us. I sat there wondering if this great and famous churchman really knew what he was talking about and whether he knew anything at all about God or heaven, and if he didn't, then who in the world did?[69]

In 1965, his wife Patricia Neal suffered three burst cerebral aneurysms while pregnant with their fifth child, Lucy. Dahl took control of her rehabilitation over the next months; Neal had to re-learn to talk and walk, but she managed to return to her acting career.[70] This period of their lives was dramatised in the film The Patricia Neal Story (1981), in which the couple were played by Glenda Jackson and Dirk Bogarde.[71]

Neal and Dahl divorced in 1983. He married Felicity "Liccy" Crosland at Brixton Town Hall, South London. Dahl and Crosland had previously been in a relationship.[72] Liccy gave up her job and moved into "Gipsy House", Great Missenden in Buckinghamshire, which had been Dahl's home since 1954.[73]

In 1983 Dahl reviewed Tony Clifton's God Cried, a picture book about the siege of West Beirut by the Israeli army during the 1982 Lebanon War.[74] He wrote that the book would make readers "violently anti-Israeli", saying, "I am not anti-Semitic. I am anti-Israel."[75] Dahl told a reporter in 1983, "There's a trait in the Jewish character that does provoke animosity ... I mean there is always a reason why anti-anything crops up anywhere; even a stinker like Hitler didn't just pick on them for no reason."[75] Dahl had Jewish friends, including philosopher Sir Isaiah Berlin, who said, "I thought he might say anything. Could have been pro-Arab or pro-Jew. There was no consistent line. He was a man who followed whims, which meant he would blow up in one direction, so to speak."[75] Amelia Foster, director of the Roald Dahl Museum in Great Missenden, says, "This is again an example of how Dahl refused to take anything seriously, even himself. He was very angry at the Israelis. He had a childish reaction to what was going on in Israel. Dahl wanted to provoke, as he always provoked at dinner. His publisher was a Jew, his agent was a Jew... and he thought nothing but good things of them. He asked me to be his managing director, and I'm Jewish."[76]

In the 1986 New Years Honours List, Dahl was offered an appointment to Officer of the Order of the British Empire (OBE), but turned it down. He reportedly wanted a knighthood so that his wife would be Lady Dahl.[77][78] In 2012, Dahl was featured in the list of The New Elizabethans to mark the diamond Jubilee of Queen Elizabeth II. A panel of seven academics, journalists and historians named Dahl among the group of people in the UK "whose actions during the reign of Elizabeth II have had a significant impact on lives in these islands and given the age its character".[79].

Writing

Dahl's first published work, inspired by a meeting with C. S. Forester, was "A Piece of Cake", on 1 August 1942. The story, about his wartime adventures, was bought by The Saturday Evening Post for US$1,000 (a substantial sum in 1942) and published under the title "Shot Down Over Libya".[80]

His first children's book was The Gremlins, published in 1943, about mischievous little creatures that were part of Royal Air Force folklore.[81] The RAF pilots blamed the gremlins for all the problems with the aircraft.[82] While at the British Embassy in Washington, Dahl sent a copy to the First LadyEleanor Roosevelt who read it to her grandchildren,[81] and the book was commissioned by Walt Disney for a film that was never made.[83] Dahl went on to create some of the best-loved children's stories of the 20th century, such as Charlie and the Chocolate Factory, Matilda, James and the Giant Peach, The Witches, Fantastic Mr Fox, The BFG, The Twits and George's Marvellous Medicine.[6]

Dahl also had a successful parallel career as the writer of macabre adult short stories, usually with a dark sense of humour and a surprise ending.[84] The Mystery Writers of America presented Dahl with three Edgar Awards for his work, and many were originally written for American magazines such as Collier's (The Collector's Item was Colliers Star Story of the week for 4 September 1948), Ladies Home Journal, Harper's, Playboy and The New Yorker.[85] Works such as Kiss Kiss subsequently collected Dahl's stories into anthologies, gaining worldwide acclaim. Dahl wrote more than 60 short stories; they have appeared in numerous collections, some only being published in book form after his death (See List of Roald Dahl short stories). His three Edgar Awards were given for: in 1954, the collection Someone Like You; in 1959, the story The Landlady; and in 1980, the episode of Tales of the Unexpected based on Skin.[84]

One of his more famous adult stories, The Smoker, also known as Man from the South, was filmed twice as both 1960 and 1985 episodes of Alfred Hitchcock Presents, and also adapted into Quentin Tarantino's segment of the 1995 film Four Rooms.[86] This oft-anthologised classic concerns a man in Jamaica who wagers with visitors in an attempt to claim the fingers from their hands. The 1960 Hitchcock version stars Steve McQueen and Peter Lorre.[86]

Dahl acquired a traditional Romanichalgypsy wagon in the 1960s, and the family used it as a playhouse for his children at home in Great Missenden, Buckinghamshire. He later used the vardo as a writing room, where he wrote Danny, the Champion of the World in 1975.[87] Dahl incorporated a Gypsy wagon into the main plot of the book, where the young English boy, Danny, and his father, William (played by Jeremy Irons in the film adaptation) live in a Gypsy caravan.[88]

His short story collection Tales of the Unexpected was adapted to a successful TV series of the same name, beginning with Man From the South.[89] When the stock of Dahl's own original stories was exhausted, the series continued by adapting stories by authors that were written in Dahl's style, including the writers John Collier and Stanley Ellin.[90]

Some of his short stories are supposed to be extracts from the diary of his (fictional) Uncle Oswald, a rich gentleman whose sexual exploits form the subject of these stories.[91] In his novel My Uncle Oswald, the uncle engages a temptress to seduce 20th century geniuses and royalty with a love potion secretly added to chocolate truffles made by Dahl's favourite chocolate shop, Prestat of Piccadilly, London.[91]Memories with Food at Gipsy House, written with his wife Felicity and published posthumously in 1991, was a mixture of recipes, family reminiscences and Dahl's musings on favourite subjects such as chocolate, onions and claret.[92][93]

Children's fiction

"He [Dahl] was mischievous. A grown-up being mischievous. He addresses you, a child, as somebody who knows about the world. He was a grown-up – and he was bigger than most – who is on your side. That must have something to do with it."

—Illustrator Quentin Blake on the lasting appeal of Dahl's children's books.[6]

Dahl's children's works are usually told from the point of view of a child. They typically involve adult villains who hate and mistreat children, and feature at least one "good" adult to counteract the villain(s).[6] These stock characters are possibly a reference to the abuse that Dahl stated that he experienced in the boarding schools he attended.[6] Dahl's books see the triumph of the child; children's book critic Amanda Craig said, "He was unequivocal that it is the good, young and kind who triumph over the old, greedy and the wicked."[11] While his whimsical fantasy stories feature an underlying warm sentiment, they usually contain a lot of darkly comic and grotesque scenarios, including gruesome violence.[8][10]The Witches, George's Marvellous Medicine and Matilda are examples of this formula. The BFG follows it in a more analogous way with the good giant (the BFG or "Big Friendly Giant") representing the "good adult" archetype and the other giants being the "bad adults". This formula is also somewhat evident in Dahl's film script for Chitty Chitty Bang Bang. Class-conscious themes also surface in works such as Fantastic Mr Fox and Danny, the Champion of the World where the unpleasant wealthy neighbours are outwitted.[55][94]

Dahl also features in his books characters who are very fat, usually children. Augustus Gloop, Bruce Bogtrotter and Bruno Jenkins are a few of these characters, although an enormous woman named Aunt Sponge is featured in James and the Giant Peach and the nasty farmer Boggis in Fantastic Mr Fox is an enormously fat character. All of these characters (with the possible exception of Bruce Bogtrotter) are either villains or simply unpleasant gluttons. They are usually punished for this: Augustus Gloop drinks from Willy Wonka's chocolate river, disregarding the adults who tell him not to, and falls in, getting sucked up a pipe and nearly being turned into fudge. In Matilda, Bruce Bogtrotter steals cake from the evil headmistress, Miss Trunchbull, and is forced to eat a gigantic chocolate cake in front of the school. Featured in The Witches, Bruno Jenkins is lured by the witches into their convention with the promise of chocolate, before they turn him into a mouse.[95] Aunt Sponge is flattened by a giant peach. Dahl's mother used to tell him and his sisters tales about trolls and other mythical Norwegian creatures and some of his children's books contain references or elements inspired by these stories, such as the giants in The BFG, the fox family in Fantastic Mr Fox and the trolls in The Minpins.[96]

Receiving the 1983 World Fantasy Award for Life Achievement, Dahl encouraged his children and his readers to let their imagination run free. His daughter Lucy stated "his spirit was so large and so big he taught us to believe in magic."[55]

Those who don't believe in magic will never find it.

— Roald Dahl, The Minpins

Dahl was also famous for his inventive, playful use of language, which was a key element to his writing. He would invent new words by scribbling down his words before swapping letters around and adopting spoonerisms and malapropisms.[97] The lexicographer Dr Susan Rennie stated that Dahl built his new words on familiar sounds, adding:

He didn't always explain what his words meant, but children can work them out because they often sound like a word they know, and he loved using onomatopoeia. For example, you know that something lickswishy and delumptious is good to eat, whereas something uckyslush or rotsome is not definitely not! He also used sounds that children love to say, like squishous and squizzle, or fizzlecrump and fizzwiggler.[97]

In 2016, marking the centenary of Dahl's birth, Rennie compiled The Oxford Roald Dahl Dictionary which includes many of his invented words and their meaning.[97] Rennie commented that some of Dahl's words have already escaped his world, for example, Scrumdiddlyumptious: "Food that is utterly delicious".[97] In his poetry, Dahl gives a humorous re-interpretation of well-known nursery rhymes and fairy tales, providing surprise endings in place of the traditional happily-ever-after. Dahl's collection of poems Revolting Rhymes is recorded in audiobook form, and narrated by actor Alan Cumming.[98]

Screenplays

For a brief period in the 1960s, Dahl wrote screenplays. Two, the James Bond film You Only Live Twice and Chitty Chitty Bang Bang, were adaptations of novels by Ian Fleming.[99] Dahl also began adapting his own novel Charlie and the Chocolate Factory, which was completed and rewritten by David Seltzer after Dahl failed to meet deadlines, and produced as the film Willy Wonka & the Chocolate Factory (1971). Dahl later disowned the film, saying he was "disappointed" because "he thought it placed too much emphasis on Willy Wonka and not enough on Charlie".[100] He was also "infuriated" by the deviations in the plot devised by David Seltzer in his draft of the screenplay. This resulted in his refusal for any more versions of the book to be made in his lifetime, as well as an adaptation for the sequel Charlie and the Great Glass Elevator.[101]

Influences

A major part of Dahl's literary influences stemmed from his childhood. In his younger days, he was an avid reader, especially awed by fantastic tales of heroism and triumph. Amongst his favourite authors were Rudyard Kipling, Charles Dickens, William Makepeace Thackeray and Frederick Marryat, and their works went on to make a lasting mark on his life and writing.[102] Finding too many distractions in his house, Dahl remembered the poet Dylan Thomas had found a peaceful shed to write in close to home. Dahl travelled to visit Thomas's hut in Carmarthenshire, Wales in the 1950s and, after taking a look inside, decided to make a replica of it to write in.[103]

Dahl was also a huge fan of ghost stories and claimed that Trolls by Jonas Lie was one of the finest ghost stories ever written. While he was still a youngster, his mother, Sofie Dahl, would relate traditional Norwegian myths and legends from her native homeland to Dahl and his sisters. Dahl always maintained that his mother and her stories had a strong influence on his writing. In one interview, he mentioned: "She was a great teller of tales. Her memory was prodigious and nothing that ever happened to her in her life was forgotten."[104] When Dahl started writing and publishing his famous books for children, he created a grandmother character in The Witches and later stated that she was based directly on his own mother as a tribute.[105][106]

Television

In 1961, Dahl hosted and wrote for a science fiction and horror television anthology series called Way Out, which preceded the Twilight Zone series on the CBS network for 14 episodes from March to July.[107] One of the last dramatic network shows shot in New York City, the entire series is available for viewing at The Paley Center for Media in New York City and Los Angeles.[108] He also wrote for the satirical BBC comedy programme That Was the Week That Was, which was hosted by David Frost.[109]

The British television series, Tales of the Unexpected, originally aired on ITV between 1979 and 1988.[110] The series was released to tie in with Dahl's short story anthology of the same name, which had introduced readers to many motifs that were common in his writing.[89] The series was an anthology of different tales, initially based on Dahl's short stories.[89] The stories were sometimes sinister, sometimes wryly comedic and usually had a twist ending. Dahl introduced on camera all the episodes of the first two series, which bore the full title Roald Dahl's Tales of the Unexpected.[111]

Death and legacy

Roald Dahl died on 23 November 1990, at the age of 74 of a rare cancer of the blood, myelodysplastic syndrome, in Oxford,[112] and was buried in the cemetery at St Peter and St Paul's Church in Great Missenden, Buckinghamshire, England. According to his granddaughter, the family gave him a "sort of Viking funeral". He was buried with his snooker cues, some very good burgundy, chocolates, HB pencils and a power saw. Today, children continue to leave toys and flowers by his grave.[113] In November 1996, the Roald Dahl Children's Gallery was opened at the Buckinghamshire County Museum in nearby Aylesbury.[114] The main-belt asteroid 6223 Dahl, discovered by Czech astronomer Antonín Mrkos, was named in his memory in 1996.[115][116]

In 2002, one of Cardiff Bay's modern landmarks, the Oval Basin plaza, was renamed Roald Dahl Plass. Plass is Norwegian for "place" or "square", alluding to the writer's Norwegian roots. There have also been calls from the public for a permanent statue of him to be erected in Cardiff.[117] In 2016, the city celebrated the centenary of Dahl's birth in Llandaff. Welsh Arts organisations, including National Theatre Wales, Wales Millennium Centre and Literature Wales, came together for a series of events, titled Roald Dahl 100, including a Cardiff-wide City of the Unexpected, which marked his legacy.[4]

Dahl's charitable commitments in the fields of neurology, haematology and literacy during his life have been continued by his widow since his death, through Roald Dahl's Marvellous Children's Charity, formerly known as the Roald Dahl Foundation.[92] The charity provides care and support to seriously ill children and young people throughout the UK.[118] In June 2005, the Roald Dahl Museum and Story Centre in the author's home village Great Missenden was officially opened by Cherie Blair, wife of UK Prime Minister Tony Blair, to celebrate the work of Roald Dahl and advance his work in literacy education.[119] Over 50,000 visitors from abroad, mainly from Australia, Japan, the United States and Germany, travel to the village museum every year.[120]

In 2008, the UK charity Booktrust and Children's LaureateMichael Rosen inaugurated The Roald Dahl Funny Prize, an annual award to authors of humorous children's fiction.[121][122] On 14 September 2009 (the day after what would have been Dahl's 93rd birthday) the first blue plaque in his honour was unveiled in Llandaff.[123] Rather than commemorating his place of birth, however, the plaque was erected on the wall of the former sweet shop (and site of "The Great Mouse Plot of 1924") that features in the first part of his autobiography Boy. It was unveiled by his widow Felicity and son Theo.[123] The anniversary of Dahl's birthday on 13 September is celebrated as "Roald Dahl Day" in Africa, the United Kingdom and Latin America.[124][125][126]

In honour of Dahl, the Royal Gibraltar Post Office issued a set of four stamps in 2010 featuring Quentin Blake's original illustrations for four of the children's books written by Dahl during his long career; The BFG, The Twits, Charlie and the Chocolate Factory, and Matilda.[127] A set of six stamps was issued by Royal Mail in 2012, featuring Blake's illustrations for Charlie and the Chocolate Factory, The Twits, The Witches, Matilda, Fantastic Mr Fox, and James and the Giant Peach.[128] Dahl's influence has extended beyond literary figures. For instance film director Tim Burton recalled from childhood "the second layer [after Dr. Seuss] of connecting to a writer who gets the idea of the modern fable – and the mixture of light and darkness, and not speaking down to kids, and the kind of politically incorrect humour that kids get. I've always like that, and it's shaped everything I've felt that I've done."[129]Steven Spielberg read The BFG to his children when they were young, stating the book celebrates the fact that it's OK to be different as well as to have an active imagination: "It's very important that we preserve the tradition of allowing young children to run free with their imaginations and magic and imagination are the same thing."[130] Actress Scarlett Johansson named Fantastic Mr Fox one of the five books that made a difference to her.[131]

"Arguably the Shakespeare of children's literature, from Fantastic Mr Fox to Matilda and The BFG, filmmakers and animators are still drawing from the enormous vat of material he created."

—"Britain's top ten children's literature superstars". The Independent, 2012.[132]

Regarded as "one of the greatest storytellers for children of the 20th century",[6] Dahl was named by The Times one of the 50 greatest British writers since 1945.[7] He ranks amongst the world's best-selling fiction authors with sales estimated at over 250 million,[3][5][8] and his books have been published in almost 60 languages.[4] In 2003 four books by Dahl, led by Charlie and the Chocolate Factory at number 35, ranked among the Top 100 in The Big Read, a survey of the British public by the BBC to determine the "nation's best-loved novel" of all time.[133] In surveys of UK teachers, parents and students, Dahl is frequently ranked the best children's writer.[134][135] In a 2006 list for the Royal Society of Literature, Harry Potter creator J. K. Rowling named Charlie and the Chocolate Factory one of her top ten books every child should read.[136] In 2012, Matilda was ranked number 30 among all-time best children's novels in a survey published by School Library Journal, a monthly with primarily U.S. audience. The Top 100 included four books by Dahl, more than any other writer: Matilda, Charlie and the Chocolate Factory, The Witches, and The BFG.[137] In 2012, Dahl was among the British cultural icons selected by artist Sir Peter Blake to appear in a new version of his most famous artwork – the Beatles' Sgt. Pepper's Lonely Hearts Club Band album cover – to celebrate the British cultural figures of his life he most admires.[138][139] In a 2017 UK poll of the greatest authors, songwriters, artists and photographers, Dahl was named the greatest storyteller of all time, ranking ahead of Dickens, Shakespeare, Rowling and Spielberg.[140]

Publications

Main articles: Roald Dahl bibliography and Roald Dahl short stories bibliography

References

Mrs Pratchett's former sweet shop in Llandaff, Cardiff, has a blue plaque commemorating the mischief played by young Roald Dahl and his friends, who were regular customers.[14]
Roald Dahl's story "The Devious Bachelor" was illustrated by Frederick Siebel when it was published in Collier's (September 1953).
Interior of Dylan Thomas's writing shed. Dahl made a replica of it in his own garden in Great Missenden where he wrote many of his stories
Dahl's gravestone, St Peter and St Paul's Church, Great Missenden, Buckinghamshire

Roald Dahl Plass

Roald Dahl Plass illuminated at night

Plaque commemorating Roald Dahl

Roald Dahl

Born

13 September 1916
Llandaff, Cardiff, Wales, UK

Died

23 November 1990 (aged 74)
Oxford, England, UK

A little nonsense now and then is relished by the wisest men.

–Roald Dahl

BiographyEdit

Roald Dahl was born in Llandaff, Wales, of Norwegian parents. His father, Harald Dahl, was the joint owner of a successful ship-broking business, "Aadnesen& Dahl" with another Norwegian. Before emigrating to Wales, Harald had been a farmer near Oslo. He married a young French girl named Marie in Paris; she died after giving birth to their second child. In 1911 he married Sofie Magdalene Hesselberg. Harald died when Dahl was four years old, and three weeks later his elder sister, Astri, died from appendicitis. The family had to sell their jewellery to pay for Dahl's upkeep at a private school in Derbyshire. When Dahl was 13 he went to a public school named Repton.

His years at public schools in Wales and England Dahl later described without nostalgia: "I was appalled by the fact that masters and senior boys were allowed literally to wound other boys, and sometimes quite severely. I couldn't get over it. I never got over it..." (from Boy: Tales of Childhood, 1984) Dahl especially hated the matron who ruled the school dormitories. These experiences later inspired him to write stories in which children fight against cruel adults and authorities. "I have never met anybody who so persistently writes words meaning the exact opposite of what is intended," one of Dahl's English teachers commented.

"Parents and schoolteachers are the enemy," Dahl once said. "The adult is the enemy of the child because of the awful process of civilizing this thing that when it is born is an animal with no manners, no moral sense at all." In WITCHES (1973) behind the mask of a beautiful woman is an ugly witch, and in MATILDA (1988) Miss Trunchbull throws children out of windows. Both parents are eaten in JAMES AND THE GIANT PEACH (1961), but the real enemies of the hero of the story, a little boy, are two aunts.

At eighteen, instead of entering university, Dahl joined an expedition to Newfoundland. Returning to England he took a job with Shell, working in London (1933-37) and in Dar es Salaam, Tanzania (1937-39). During World War II he served in the Royal Air Forces in Libya, Greece, and Syria. He was shot down in Libya, wounded in Syria, and then posted to Washington as an assistant air attaché to British Security (1942-43). In 1943 he was a wing commander and worked until 1945 for British Security Co-ordination in North America.

In the crash Dahl had fractured his skull, and said later: "You do get bits of magic from enormous bumps on the head." While he was recovering from his wounds, Dahl had strange dreams, which inspired his first short stories. Encouraged by C.S. Forester, Dahl wrote about his most exiting RAF adventures. The story, A Piece of Cake, was published by the Saturday Evening Post. It earned him $1,000. The same story was later included in OVER TO YOU: THE STORIES OF FLYERS AND FLYING (1946). Dahl's first children's book, THE GREMLINS (1943), about mischievous little creatures, who eventually join the Allied forces in the Battle of Britain, caught also Walt Disney's attention. Later it inspired a popular movie. Dahl's collection of short stories, SOMEONE LIKE YOU (1954), gained world success, as did its sequel, KISS KISS (1959). The two books were serialized for television in America. A number of the stories had appeared in the New Yorker. Dahl's stories were seen in Alfred Hitchcock Presents (1955-61) and in the Tales of the Unexpected (1979) series.

In 1953 Dahl married the successful and wealthy actress Patricia Neal; they had one son and four daughters – the eldest daughter Olivia died of measles when she was eight. Dahl's wife suffered a series of brain hemorrhages at the age of 38; while pregnant with their fifth child she had a stroke. She described her recovery and her husband's solicitous help in the autobiography As I Am (1988). The marriage ended after other family tragedies; she also discovered that Dahl had been having an affair with her friend, Felicity Ann Crossland, who was 22 years his junior. Dahl married her in 1983. Patricia Neal received in 1964 an Oscar for her performance in Hud. She died in 2010.

The only stageplay Dahl ever wrote, THE HONEYS, failed in New York in 1955. After showing little inclination towards children's literature, Dahl published JAMES AND THE GIANT PEACH (1961). It was first published in the United States, but it took six years before Dahl found a published in Britain. James and the Giant Peach was followed by the highly popular tale CHARLIE AND THE CHOCOLATE FACTORY (1964), which has inspired two film adaptations. The story dealt with one small boy's search for the ultimate prize in fierce competition with other, highly unpleasant children, many of whom come to sticky ends as a result of their greediness. It presented the central theme in Dahl's fiction for young readers: virtue is rewarded, vice is punished. In the end the fabulous chocolate factory is given to Charlie, the kind, impoverished boy. THE WITCHES (1983) won the Whitbread Children's Book Award in 1983. The judges described the book as "deliciously disgusting". Later Felicity Dahl collected her husband's culinary "delights", such as "Bird Pie", "Hot Frogs", and "Lickable Wallpaper" in Roald Dahl's Revolting Recipes (1994).

MY UNCLE OSWALD (1979) was Dahl's first full-length novel, a bizarre story of a scheme for procuring and selling the sperm of the world's most powerful and brilliant men. Dahl received three Edgar Allan Poe Awards (1954, 1959, 1980). In 1982 he won his first literary prize with THE BFG, a story about Big Friendly Giant, who kidnaps and takes a little girl to Giantland, where giants eat children. In 1983 he received World Fantasy Convention Lifetime Achievement award. Dahl died of an infection on November 23, 1990, in Oxford. Dahl's autobiographical books, BOY: TALES OF CHILDHOOD and GOING SOLO, appeared in 1984 and 1986 respectively. The success of his books resulted in the foundation of the Roald Dahl Children's Gallery in Aylesbury, not far from where he lived. "Good ghost stories, like good children's books, are damnably difficult to write. I am a short story writer myself, and although I have been doing it for forty-five years and have always longed to write just one decent ghost story, I have never succeeded in bringing it off. Heaven knows, I have tried. Once I thought I had done it. It was with a story that is now called 'The Landlady'. But when it was finished and I examined it carefully, I knew it wasn't good enough. I hadn't brought it off. I simply hadn't got the secret. So finally I altered the ending and made it into a non-ghost story." (from Roald Dahl's Book of Ghost Stories, 1983) Dahl's stories have unexpected endings and strange, menacing atmospheres. The principle of "fair play" works in unconventional but unavoidable ways. Uncle Oswald, a seducer from 'The Visitor', gets seduced. In 'Parson's Pleasure' an antique dealer tastes his own medicine and the Twits from THE TWITS (1980) use glue to catch birds and meet their own gluey ends. In 'Lamb to the Slaughter' the evidence of a murder, a frozen leg of lamb, is eaten by officers who in vain search for the murder weapon. The story was inspired by a meeting with the writer Ian Fleming at a dinner party. Puns, word coinages, and neologism are more often used in the children's stories, whereas in adult fiction the emphasis is on imaginative plots. In addition to his children's books, Dahl also aroused much controversy with his politically incorrect opinions - he was accused of anti-Semitism and antifeminism and when a prowler managed to get into Queen Elizabeth's bedroom, Dahl was wrongly suspected of giving to the unwanted guest the whole idea in one of his books, The BFG (1982). For further reading: Roald Dahl by Chris Dowling (1983); Roald Dahl by Alan Warren (1988); Roald Dahl: A Biography by Jeremy Treglown (1994); St James Guide to Young Adult Writers, ed. by Tom Pendergast and Sara Pendergast (1999); Beatrix Potter to Harry Potter: Portraits of children's writers by Julia Eccleshare (2002) Selected works:

  • THE GREMLINS, 1943 - The Gremlins movies uses the name but are unrelated: first 1984, dir. by Joe Dante; the second 1990, Grewmlins 2. dir. by Joe Dante. - One episode of The Twilight Zone Movie (1983), scripted by Richard Matheson, drew on Dahl's original idea
  • OVER TO YOU, 1945 - Helppo nakki ja muita kertomuksia (suom. Erkki Haglund, 1992)
  • SOMETIME NEVER, 1948
  • SOMEONE LIKE YOU, 1953, rev. 1961 - Rakkaani, kyyhkyläiseni: jännityskertomuksia (suom. Pentti Saarikoski, 1961); Joku kaltaisesi (suom. Pentti Saarikoski, 1970) - film adaptations: 'The Taste', TV film 1952, dir. by Richard Goode, starring Peter Lorre; 'Taste', TV film 1954, starring Ed Begley, Patricia Breslin, Joseph Schlidkraut; 'Taste', TV film 1955, starring Leonard Elliot, Violet Heming, Diana Millay, Rudy Vallee; 'Taste', TV film 1967, prod. British Broadcasting Corporation (BBC), dir. by John Glenister, starring Donald Pleasence, Leonard Rossiter, Maureen O'Brien, Marion Mathie
  • THE HONEYS, 1955 (play, prod. in New York City)
  • KISS, KISS, 1959 - Rakkaani, kyyhkyläiseni: jännityskertomuksia (suom. Pentti Saarikoski, 1961) / Joku kaltaisesi (suom. Pentti Saarikoski, 1970)
  • JAMES AND THE GIANT PEACH, 1961 - Jaakko ja jättipersikka (suom. Kimmo Pietiläinen, 1995) / Jaakko ja jättipersikka (suom. Peikko Pitkänen, 2009) - animation film 1996, prod. Allied Filmmakers, dir. by Henry Selick
  • CHARLIE AND THE CHOCOLATE FACTORY, 1964 - Jali ja suklaatehdas (suom. Aili Nissinen, 1971) - films: 1971, Willy Wonka and the Chocolate Factory, dir. by Mel Stuart, starring Gene Wilder, Jack Albertson, Peter Ostrum, Roy Kinnear, Julie Dawn Cole, Leonard Stone 2005, Charlie and the Chocolate Factory, dir. by Tim Burton, screenplay by John August, starring Johnny Depp, Charlie Bucket, Helena Bonham Carter - Jali ja suklaatehdas
  • 36 HOURS, 1965 (screenplay, based on 'Beware of the Dog', film dir. by George Seaton, starring James Garner, Eva Marie Saint, Rod Taylor; TV film Breaking Point, 1989, dir. by Peter Markle, starring Corbin Bernsen, Joanna Pacula, John Glover, David Marshall Grant)
  • THE MAGIC FINGER, 1966 - Taikasormi (suom. Päivi Heininen, 1998)
  • YOU ONLY LIVE TWICE, 1967 (screenplay based on Ian Fleming's novel, with Harry Jack Bloom)
  • CHITTY CHITTY BANG BANG, 1968 (screenplay based on Ian Fleming's children's book, with Ken Hughes)
  • TWENTY-NINE KISSES FROM ROALD DAHL, 1969
  • FANTASTIC MR. FOX, 1970 - Kekseliäs kettu (suom. Panu Pekkanen, 1978) - film 2009, dir. by Wes Anderson, voices: George Clooney, Owen Wilson, Meryl Streep, Bill Murray, Willem Dafoe
  • SELECTED STORIES, 1970
  • THE NIGHT-DIGGER, 1971 (screenplay based on Joy Cowley's novel, film dir. by Alastair Reid, starring Patricia Neal, Pamela Brown, Nicholas Clay, Jean Anderson)
  • WILLY WONKA AND THE CHOCOLATE FACTORY, 1971 (screenplay)
  • CHARLIE AND THE GREAT GLASS ELEVATOR, 1972 - Jali ja lasihissi (suom. Päivi Heininen, 2000) / Jali ja mahtava lasihissi: seitsenosainen lastenkuunnelma (suom. Pekka Ojalehto)
  • PENGUIN MODERN STORIES 12, 1972 (with others)
  • SWITCH BITCH, 1974 - Alahuuli (suom. Raija Mattila, 1975)
  • DANNY, THE CHAMPION OF THE WORLD, 1975 - Me salamestarit (suom. Eeva Heikkinen, 1977) / Iskä ja Danny maailmanmestari (suom. Päivi Heininen, 1999) - film 1989, prod. Children's Film and Television Foundation (CFTVF), dir. by Gavin Millar, screenplay by John Goldsmith, starring Jeremy Irons, Robbie Coltrane, Samuel Irons, Cyril Cusack, Jean Marsh
  • THE WONDERFUL STORY OF HENRY SUGAR AND SIX MORE, 1977 - Henry Sugarin ihmeellinen tarina ja kuusi muuta (suom. Jaana Kapari, 2003)
  • CHARLIE AND THE GREAT GLASS ELEVATOR, 1978
  • THE COMPLETE ADVENTURES OF CHARLIE AND MR WILLY WONKA, 1978
  • THE ENORMOUS CROCODILE, 1978 - Suunnattoman suuri krokotiili (suom. Panu Pekkanen, 1978)
  • THE BEST OF ROALD DAHL, 1978
  • TALES OF THE UNEXPECTED, 1979 - TV series 1979-1988, 26 episodes, prod. Anglia Television
  • TASTE AND OTHER TALES, 1979
  • MY ONCLE OSWALD, 1979 - Oswald-eno (suom. Pentti Nieminen, 1981) / Oswald-eno (suom. Seppo Heikinheimo, 1992)
  • THE TWITS, 1980 - Nilviöt (suom. Sami Parkkinen, 1991
  • GEORGE'S MARVELOUS MEDICINE, 1980 - Ilmarin ihmelääke (suom. Asser Korhonen ja Antti Mäkinen, 1989)
  • MORE TALES OF THE UNEXPECTED, 1980 - TV series 1979-1988, 26 episodes, prod. Anglia Television
  • THE WAY UP TO HEAVEN AND OTHER STORIES, 1980
  • A ROALD DAHL SELECTION, 1980
  • THE BFG, 1982 - Iso kiltti jätti (suom. Tuomas Nevanlinna, 1989) - animation film 1989, prod. Cosgrove Hall Films, dir. by Brian Cosgrove, voices: David Jason, Amanda Root, Angela Thorne, Ballard Berkeley, Michael Knowles, Don Henderson
  • ROALD DAHL'S REVOLTING RHYMES, 1982 - Tautisia tarinoita (suom. Kimmo Pietiläinen, 1996)
  • ROALD DAHL'S BOOK OF GHOST STORIES, 1983
  • TWO FABLES, 1983
  • THE WITCHES, 1983 - Kuka pelkää noitia (suom. Sami Parkkinen, 1990) - film The Witches, 1990, dir. by Nicolas Roeg, starring Anjelica Huston, Mai Zetterling, Jasen Fisher, Jane Horrocks, Anne Lambton, Rowan Atkinson
  • BOY: TALES OF CHILDHOOD, 1984 - Poika; Yksinlentoon (suom. Seppo Sipilä, 2004)
  • DIRTY BEASTS, 1984
  • THE GIRAFFE AND THE PELLY AND ME, 1985 - Kirahvi, Kaani ja minä (suom. Kimmo Pietiläinen, 1996)
  • TWO FABLES, 1986
  • GOING SOLO, 1986
  • THE SECOND ROALD DAHL SELECTION, 1987
  • MATILDA, 1988 - Matilda (suom. Eeva Heikkinen, 1990) - film Road Dahl's Matilda, 1996, dir. by Danny deVito, starring Mara Wilson, Danny DeVito, Rhea Perlman, Embeth Davidtz, Pam Ferris, Paul Reubens
  • AH, SWEET MYSTERY OF LIFE, 1989
  • RHYME STEW, 1989 - Riimihärkää muusilla (suom. Tuomas Nevanlinna, 2001)
  • ROALD DAHL: CHARLIE AND THE CHOCOLATE FACTORY, CHARLIE AND THE GREAT GLASS ELEVATOR, THE BFG, 1989
  • ESIO TROT, 1990 - Annok iplik (suom. Sami Parkkinen, 1993)
  • THE MINPINS, 1991 - Tynkätyiset (suom. Päivi Heininen, 2002)
  • THE VICAR OF NIBBLESWICK, 1991
  • MEMORIES WITH FOOD AT GIPSY HOUSE, 1991 (with F. Dahl)
  • THE COLLECTED SHORT STORIES, 1991
  • THE DAHL DIARY, 1992, 1991
  • THE DAHL COLLECTION OF NURSERY VERSE, 1992 (ed.)
  • MY YEAR, 1993
  • THE GREAT AUTOMATIC GRAMMATIZATOR, 1997
  • THE ROALD DAHL TREASURY, 1997 - Roald Dahlin maailma (suom. Eeva Heikkinen et al.)
  • SKIN AND OTHER STORIES, 2000

FactsEdit

  • He was born on 13 September 1916, in Llandaff, Cardiff. His parents were Norwegian.
  • He did not start writing for children until he had children of his own.
  • He wrote all of his children's stories in a small hut at the bottom of his garden.
  • He was a Hurricane fighter pilot during World War II.
  • He had two steel hips and six operations on his spine.
    • The latter resulted in Dahl's height being reduced.
  • He wrote the screenplays for Chitty Chitty Bang Bang and the Bond movie You Only Live Twice.
  • He originally wrote short stories for adults which were later published as Tales of the Unexpected.

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